I like that Saul Leiter seems to carefully compose his photographs, from the looks of things, he waits for the opportune moment to take the shot. I prefer this massively to artists like Joel Meyerowitz who seem to shoot randomly, making snapshots instead of photographs. Although I don't shoot people very often, I think the patience and consideration that Leiter uses can be used across all areas to improve my work.
Wednesday, 29 January 2014
FMP Contextual - Saul Leiter
Saul Leiter was an American photographer and painter whose early work in the 1940s and 1950s was an important contribution to what came to be recognized as the New York School. Saul Leiter was born in Pittsburgh, Pennsylvania. His father was a well known Talmud scholar and Saul studied to become a Rabbi. His mother gave him a Detrola camera at age 12. At age 23, he left theology school and moved to New York City to become an artist. He had developed an early interest in painting and was fortunate to meet the Abstract Expressionist painter Richard Pousette-Dart. Pousette-Dart and W. Eugene Smith encouraged Leiter to pursue photography and he was soon taking black and white pictures with a 35 mm Leica, which he acquired for a few Eugene Smith prints. In 1948, he started taking color photographs. He began associating with other contemporary photographers such as Robert Frank and Diane Arbus and helped form what Jane Livingston has termed the New York School of photographers during the 1940s and 1950s. He died on the 26th of November 2013.0
I like that Saul Leiter seems to carefully compose his photographs, from the looks of things, he waits for the opportune moment to take the shot. I prefer this massively to artists like Joel Meyerowitz who seem to shoot randomly, making snapshots instead of photographs. Although I don't shoot people very often, I think the patience and consideration that Leiter uses can be used across all areas to improve my work.
I like that Saul Leiter seems to carefully compose his photographs, from the looks of things, he waits for the opportune moment to take the shot. I prefer this massively to artists like Joel Meyerowitz who seem to shoot randomly, making snapshots instead of photographs. Although I don't shoot people very often, I think the patience and consideration that Leiter uses can be used across all areas to improve my work.
Labels:
Unit 18 3.1,
Unit 18 3.2,
Unit 2,
Unit 7
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